Movies, movies, movies. And my boring opinion of them.

Sunday, 22 September 2013

92. The Blair Witch Project

The movie that spawned a movie genre all by itself. The found footage movie.
It's incredible to think it was 1999 before anybody had the idea to make a movie entirely filmed on handheld cameras for a fraction of the production costs of the usual noises in the dark scary movies.

Watching Blair Witch back now, one might be unimpressed by a film in which all the tension and suspense is created by the cast hearing noises in the woods. There is no CGI monsters or vast amounts of gore just intelligent use of the surroundings and the directors being smart enough to create a back story to the legend that one could actually believe in. The kind of legend that spreads around a town or a playground to explain a scary old house.
Keeping to a relatively short run time keeps the movie fresh for repeat viewings and contains, in my opinion, the single most accomplished end scene when it comes to horror movies, sticking with you as it does for days afterwards.

Its incredible to think that nearly everybody involved in this movie peaked with it, with nobody in the principal cast or either of the directors matching their early success with later choices.

93. Dogville

Although not always a fan of Lars Von Trier's work, ranging as he does from five star genius to one star hack.
Luckily, Dogville falls into the former camp using stripped bare, theatre stage like sets and masterfully understated performances from all involved to create a world that is starkly realistic and bleak. This is a work of such originality that each of the individual chapters takes us in an unexpected direction with a climax that brings joy considering what we have experienced along with Grace, throughout her time in the town, during which she is subjected to horrific violence and kept as a slave. 

Dogville was followed by the sequel Manderlay, in which Grace is recast and relocated but as a double bill the films are a triumph in spite of their length. This is the first of two Von Trier films on the list.

Wednesday, 17 July 2013

94. Apocalypto

It is currently an extremely difficult time to like Mel Gibson. It has been the same since his first, of many, anti semitic rants less than six months before the release of this film.
That being said, what Gibson has managed to pull off with Apocalypto is a back to basics action film that is better than 99.9% of any studio's summer tent pole movies.
The story is simple. Jaguar Paw, having been kidnapped and almost sacrificed, must escape and find his way back to the family he left hidden in a well. Sounds straight forward enough but his journey there and his eventual bettering of the majority of his pursuers barely lets you pause for breath.
The virtually unknown cast do wonders creating a world with humour, fear, love and hate all in equal measure and it is a testament to the direction of Gibson that even though the entire film is spoken in Mayan, there is never a moment where you are given time to register this because you become encompassed in the plight of Jaguar Paw.
This is an almost perfectly made film from start to finish, and has one of the most original and inventive endings in movie history.

Tuesday, 16 July 2013

95. Cold Weather

This little seen gem slipped under the radar back in 2011, probably due to the slow, methodical plotting that takes place.
The fact that the story goes a long at it's own pace is a credit to director Aaron Katz, who resists the temptation to turn the film into an action centred detective tale.
The story is simply about a guy trying to find out the truth about his ex girlfriend's disappearance and the result is a fascinating and funny mixture of mumblecore and Sherlock Holmes (who is referenced throughout).
A truly brilliant film, well presented and should be seen by everyone.

Tuesday, 23 April 2013

96. The Descent

I love horror movies so its a bit of a surprise there aren't more on this list. This is probably due to me being exposed to horrors such as Hellraiser and Nightmare on Elm Street from as early as ten years old. Social services weren't impressed. Anyhow it meant that it takes a lot from a film to frighten me and The Descent is the only film I can remember which actually scared me and where it had me guessing as to what would happen next. Bear in mind I had already seen all the classic horrors such as Texas Chain Saw, Exorcist and Halloween, all of which are fantastic films but they didn't scare me like The Descent did.
Full of originality such as the all female cast, all natural light sources and the most harrowing of bleak and dark endings you are ever likely to see.

97. True Romance

The only Tony Scott film to feature on this list, True Romance doesn't look out of place amongst the greatest love stories ever told. The performances given by Christian Slater and Patricia Arquette are career defining, both of them sculpting memorable characters who are naive in their love for one another but whose loyalty to each other is unwavering. They are perhaps the sweetest couple in film history and you never once question the fact they are very much in love.
The supporting cast is full of movie royalty past and present, and Michael Rappaport. Also features one of my favourite scenes of all time between two of the greatest actors of all time in Christopher Walken and Dennis Hopper.
Great theme too.

Monday, 18 March 2013

98. The Fighter (2010)

The Fighter is the first of two David O. Russell films on this list. Brilliantly acted and wonderfully directed, this is one of the best sports films ever made as it follows the Rocky mould of being as much about the character's dependence on boxing then it is about the actual sport.
Special mention to Mark Wahlberg who not only produces the whole thing but gives a wonderfully restrained performance which allows him to flesh out his character whilst allowing his co stars to shine.